STORY feat. Standing room Only – Single Review

STORY feat. Standing room Only – Single Review

Monday August 19, 2024


In a stirring revival, Australian rock band Story resurrects their seminal track, Damnation Dawning, with a fresh vigour. Initially written during the tumult of 1979 and first recorded for their debut EP in 2013, this song has become a cornerstone of Story’s legacy.

The original, characterized by its raw, unfiltered energy, featured contributions from notable musicians such as Bob Spencer, Mick Pealing, Jack Jones, Mark Ritchie, and David Briggs. Fast forward to 2024, and Story reinvigorates this classic with a new studio recording that deftly balances modernity with reverence for its roots. 

Produced by the skilled trio of Mike Mathews, Martin Pullan, and Mike Cohen, the revamped Damnation Dawning showcases a polished arrangement infused with a contemporary flair. The addition of guest musicians Aaron ‘O Brien, Bill ‘Fozzy’ Folino, and Jim Currell—known collectively as Standing Room Only—adds a fresh dimension to the track.

It opens with an evocative acoustic prelude that seamlessly transitions into a potent verse marked by a direct rock sensibility and expressive vocals. The chorus, bolstered by detailed guitar work and rich harmonies, provides a powerful emotional impact, while the second verse introduces harmonized vocals that deepen the narrative. 

The track’s structure is a testament to Story’s mastery of rock dynamics, weaving through a recurring riff, a compelling bridge, and a striking guitar solo. This journey is anchored by a revisitation of the opening motif, culminating in a climactic chorus punctuated with vibrant guitar flourishes, leaving listeners eagerly anticipating the next note. Lyrically, Damnation Dawning, penned by Daryl Storrie, explores themes of existential despair and redemption, embodying both a sense of loss and the promise of renewal. This release not only honoursStory’s storied past but also sets a promising course for their future in the rock genre, solidifying their place in both Australian and global music landscapes.

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