Friday March 7, 2025
Envy Marshall’s Like A Man is a sonic grenade rolled into the complacent living room of gender norms, detonating with a force that leaves no cliché unscathed. The Melbourne-born rocker, with her voice like a serrated blade dipped in honey, delivers a track that is equal parts rebellion and revelation. It’s a song that doesn’t just challenge the status quo—it dismantles it with a smirk and a middle finger.
From the opening acoustic strum, Marshall announces herself as a force to be reckoned with. Her voice is a weapon, wielded with precision and panache, slicing through the noise of a world still clinging to outdated ideas of what it means to be a woman. The chorus—Stop telling me to act like a woman when you know that I f**k like a man—is a masterstroke of lyrical audacity, a phrase so sharp it could cut glass. It’s a line that lingers, not just in the ears but in the psyche, a rallying cry for anyone who’s ever felt suffocated by societal expectations.
The production, helmed by Brian Howes, is a marvel of modern rock craftsmanship. The guitars are expansive, the rhythm section grooves with a hypnotic insistence, and the bridge soars with a cinematic grandeur that feels both epic and intimate. It’s a track that demands to be played loud, its energy infectious, its message inescapable. But what truly sets Like A Man apart is its unflinching honesty. Marshall doesn’t just sing about empowerment; she embodies it. Her lyrics are a cocktail of wit, defiance, and vulnerability, delivered with a swagger that feels both earned and effortless.
She skewers toxic masculinity with the precision of a satirist, but there’s a raw, unfiltered truth in her words that cuts deeper than mere parody. Envy Marshall is more than a musician; she’s a provocateur, a storyteller, and a rising star in a world that desperately needs her voice. Like A Man is a sharp-edged declaration, the sound of an artist who refuses to be pigeonholed, who demands to be heard not with a shout but with a sly, cutting precision.
